| — | De Profundis, Wilde |
Introducing a groundbreaking technique that seamlessly merges computer-generated and hand-drawn animation techniques, first-time director John Kahrs takes the art of animation in a bold new direction with the Oscar-nominated short, Paperman.
Using a minimalist black-and-white style, the short follows the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a beautiful woman on his morning commute. Convinced the girl of his dreams is gone forever, he gets a second chance when he spots her in a skyscraper window across the avenue from his office. With only his heart, imagination and a stack of papers to get her attention, his efforts are no match for what the fates have in store for him.
Created by a small, innovative team working at Walt Disney Animation Studios, “Paperman” pushes the animation medium in an exciting new direction.
- ‘In My Life - A Heart Full of Love’, Amanda Seyfried, Eddie Redmayne, Samantha Barks, Les Misérables: (Highlights from the Motion Picture Soundtrack) (2012)
| — | Carmilla, Sheridan LeFanu |
| — | Between the Acts, Virginia Woolf |
We’ll go no more a-roving by the light of the moon.
November glooms are barren beside the dusk of June.
The summer flowers are faded, the summer thoughts are sere.
We’ll go no more a-roving, lest worse befall, my dear.
We’ll go no more a-roving by the light of the moon.
The song we sang rings hollow, and heavy runs the tune.
Glad ways and words remembered would shame the wretched year.
We’ll go no more a-roving, nor dream we did, my dear.
We’ll go no more a-roving by the light of the moon.
If yet we walk together, we need not shun the noon.
No sweet thing left to savour, no sad thing left to fear,
We’ll go no more a-roving, but weep at home, my dear.
| — | ‘We’ll Go No More A-Roving’, William Ernest Henley |

